They play abstract, lengthy scores which feature big dynamic contrasts, ranging from wildly raging guitar sections to fragile melodies. Although the band is named after the woolly creatures from the Gremlins movies (who turn into ferocious reptile monsters if you feed them after midnight), they maintain their name has no significant meaning. Neither do they set much store by the musical genre labels people like to give them. Mogwai is totally abstract, according to Stuart Braithwaite: 'It's just music. You can make of it what you want.' Recording their debut album Mogwai Young Team in 1997, the band have released eight studio albums to date. In 2015, to mark their 20th anniversary, they launched their retrospective Central Belters. Mogwai have written soundtracks for various films, including Zidane: A 21st Century Portrait (2006), The Fountain (2006) and Les Revenants (2012). Atomic, Living in DreadandPromise marks their debut at the Holland Festival. Director and film author Mark Cousins was born in 1965 in Belfast, Northern Ireland. Cousins studied Film, Media and Art at the University of Stirling in Scotland before making his debut as a film director. Since 1993, he has made ten films for cinema. He directed twenty seven episodes of the seminal TV series Scene by Scene, interviewing famous actors and legendary directors. Cousins rose to international fame as the director, writer and presenter of the acclaimed, fifteen hour film The Story of Film: an Odyssey (2011), made for British digital TV channel More4 and based on his book The Story of Film (2004). The series was screened in full at the Toronto International Film Festival in 2011, as well as exhibited as a piece of video art at the Museum of Modern Art (New York, 2012). In 2015 Cousins directed I Am Belfast, the story of a 10,000-year-old woman who embodies the city. When he was approached by BBC's Storyville to make a film commemorating the Hiroshima and Nagasaki bombings and the beginning of the nuclear age, he didn't have to think long: 'It's a subject which immediately chimed with me. I'm a child of the nuclear age, and in my teens I had nightmares about the bomb. And I've always been fascinated by the world of atoms. To me it was like abstract Star Wars. It didn't take long at all to get the film off the ground.'