Theatre concert about the power of divas

Not Another Diva ...

Faustin Linyekula, Hlengiwe Lushaba, Studios Kabako

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Does there exist a different kind of diva, one that is beyond the gloss and the glamour? Director Faustin Linyekula and South African singer and actress Hlengiwe Lushaba want to show a different kind of diva, far removed from stereotypes – a diva who performs in back gardens, mingles with normal people, and has never lost touch with daily reality. The idea arose when Lushaba was recording her music at Linyekula’s Studios Kabako in Kisangani. This performance is the result of their collaboration, which also includes Congolese percussionist Huguette Tolinga and dancer Johanna Tshabalala. Not Another Diva ... is a compelling theatre concert and an ode to the power of woman.

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background information

Based on a song cycle written by Hlengiwe Lushaba, this production is about an ancient line of female power – wisdom passed on from generation to generation. Together with Johanna Tshabalala

(dance), Franck Moka (electronics and vocals), Huguette Tolinga (percussion and vocals), Pati Basima (bass), Zing Kapaya (guitar) and Heru Shabaka-Ra (trumpet) Lushaba takes the audience with her in a breath-taking theatrical concert. Her impressive stage presence and voice merge with the energetic sounds of the Congolese ndombolo and rumba. 
An earlier contribution of Faustin Linyekula to the Holland Festival, in 2012, was La création du monde (1923-2012) – a pointed African commentary on the modernist ‘negro-cubist’ ballet with the same name from 1923. That was also the year in which Linyekula and Lushaba started working together and they created the performance What is Black Music Anyway / Self Portraits for the Museum of Modern Art in New York. 
The idea for Not Another Diva… was born when Lushaba wanted to record an album of songs at Linyekula’s Studios Kabako. He thought of turning them into a theatre production. This led to a discussion about the cultural role of the diva and how we often see them as tragic. Women who expend all their energy on the spotlight and the public, sacrificing their family life or even their actual lives for fame. One example being the famous South African singer Miriam Makeba who, after a lifetime of activism in the struggle for Apartheid, quite literally died on stage.
Not Another Diva… presents a diva who knows her roots, keeps a hold on reality and stays in contact with her family and everyday life. Not Another Diva… brings the female power of the diva back to the back yard, the place where ordinary people live, stories are told and the washing is hung out to dry. A place of reconciliation, far away from the spotlight. Being a diva in Africa isn’t easy, Linyekula explains: ‘Our society prefers submissive women. It takes a lot of power to step up, to occupy that space and to be a leader’. The three women in Not Another Diva... are mountain movers, Linyakula says. ‘They’re so powerful that the four male performers who surround them don’t take away their energy. This performance is a sort of celebration of these women’s power, an ode to the knowledge that being powerful isn’t contradictory to being beautiful. Art cannot change a whole society, but it can change individuals and that’s the first part.’



The South African actress, choreographer and singer Hlengiwe Lushaba (1982) was born in KwaMasu, a township to the north of Durban. Lushaba studied drama, dance and singing at Technikon

Natal (Durban University of Technology) and won an FNB Vita Award in the category ‘Most Promising Dancer’ in 2002. She is one of the founders of The Plat4orm, an alternative performance space for artists. Since her debut Sacrament (2001) Lushaba has developed a number of successful choreographies including It’s Not Over Until the Fat Phat Lady Sings (2002). This production made a tour of festivals in South Africa, France, Switzerland and Belgium. In 2006 she received the Standard Bank Young Artist Award for Dance and presented Ziyakahipha… Come Dance With Us at the Grahamstown Festival, which won her the Gauteng MEC Choreographic Award. In her own country she is known to the general public for playing the character Khetiwe in the television series Gaz’lam, and her performance in the reality-TV show Life’s a Stage. Since 2012 she has regularly collaborated with Faustin Linyekula. Together they created the performance What is Black Music Anyway / Self Portraits for the Museum of Modern Art in New York. In her work, Lushaba takes on stereotypes of black representation in the performing arts. She passionately believes in the role art can play in social change. Lushaba: ‘My first name Hlengiwe means ‘redeemed’. I try to find redemption in everything I do, for myself and others.’



concept, artistic direction
Faustin Linyekula, Hlengiwe Lushaba
Faustin Linyekula
Hlengiwe Lushaba (zang of stem), Johanna Tshabalala (dans), Franck Moka (machines & zang of stem), Huguette Tolinga (percussie & stem), Pati Basima (basgitaar), Zing Kapaya (gitaar), Heru Shabaka-Ra (trompet)
Studios Kabako / Virginie Dupray
Festival de Marseille, Manège - scène nationale de Reims, Holland Festival, Kaserne Basel, Bozar Brussels
with support from
Pro Helvetia Johannesburg

This performance was made possible with support by