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A human is being dug out, it is worshipped, captured in stone, cannibalised, and searched for. The Greek artist Dimitris Papaioannou employs the human body in most of his work. In his physical theatre – without text or music – he looks for the essence of humanity, beyond the body. Papaioannou does not see himself as a dancer or a choreographer, but as a visual artist – a painter on the stage who uses the human body in all its versatility. He takes minimal resources to create worlds of astounding beauty, to imbue life with the magic we so desperately need.
In the festival programme book, this performance was announced with the working title New Creation.